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10 Facts Best Computer Monitor For Video Editing 2013 | Best Adobe Rgb Monitor
- There are, of course, numerous other excellent monitors out there. In fact, I haven’t even mentioned the offerings from major companies like Samsung (though I left them out on purpose) and LaCie. I’ve listed some additional monitors in the table below, but I hope that everyone reading this will add their experience and input as well. I hope that this helps! - Source: Internet
- IF YOU CAN’T SEE THE COLOR AND TONAL DIFFERENCES on your monitor, then you can’t make good post-processing decisions and adjustments to your digital negatives. It’s that simple. You can’t adjust your curves to give your print smooth tonal transitions or to distinguish subtle shadow detail if you can’t see those transitions and details to begin with. In order to make optimal adjustments to your digital negatives, you must be able to see as much of your color gamut as possible and the color must be accurate and reliable. - Source: Internet
- IPS monitors have been much more expensive as well, though the gap is beginning to narrow. Even a year ago, the most common IPS monitors (Mac Cinema Displays) cost three times as much as similarly sized TN screens, but now 23″ IPS monitors can be found for as little as $300. Professional graphic arts monitors using IPS and other less common technologies still cost thousands of dollars, though. - Source: Internet
- More importantly for photographers, though, is that TN monitors use 6-bit color technology, and therefore can’t display the full 24-bit color range (16.7 million colors) that video cards can produce (and that the monitor manufacturers usually claim they can produce). Instead, they attempt to simulate the full range of colors by interpolation of other colors, which they do with limited success. Many TN monitors (non-LED) display less than 30% of the NTSC color gamut, and the color that they do display is only accurate when viewed head-on, so the appearance of color shifts when viewed from and angle is dramatic, and problematic around the edges in any circumstances. Improvements are continually being made in TN technology, but they have a long way to go. - Source: Internet
- If you’re going to spend the money to get a good quality display, you’ll also need a color calibration system for it. In fact, this is true no matter what monitor you’re using… but it would be especially wasteful not to calibrate a high quality display. These can be quite inexpensive, and there are a variety of choices. Most high-end monitors are bundled with a colorimeter already. The Spyder models range in price from about $85 to a couple hundred, as do the models from X-rite, like the ColorMunki ($500) and Eye-One LT ($150). - Source: Internet
- On the low end of the price spectrum, Viewsonic has been reliably produced IPS monitors for a few years now. In October 2012, Viewsonic announced 3 new slick-looking IPS panel monitors: the VX2370Smh-LED 23″ and VX2770Smh-LED 27″ models for $ and $, which are available now, and a 22″ model that should be in stores before 2013. These new monitors have very nice, consistent color, and also have a “frameless” design that makes them a little easier to use in a multi-monitor setup. $164 is a great price for the 23″ monitor; only two years ago, their 23″ model was over $300. All three have HDMI inputs. - Source: Internet
- [Since there are more monitors than I can reasonably test myself, I’ve listed monitors with which I’ve had personal experience, for which I’ve heard good recommendations from reliable sources, or about which I’ve read multiple convincingly good reviews. If your favorite monitor has been left out, feel free to email me or reply to this thread with relevant info. -JMG] - Source: Internet
- Similarly, the Eizo ColorEdge CG241W (and related monitors such as the CG243W, etc.) is a stellar performer. If you’d like to read a full comparison between an older Eizo monitor and an Apple Cinema Display, let me direct your attention to the Luminous Landscape article that first drew my attention to Eizo monitors, here: The Eizo ColorEdge CG301W vs. The Apple 30″ Cinemadisplay. Again, the performance comes at a cost… especially if you opt for the 30 inch versions of these monitors, but even at 24″, the cost is substantial at $1900. - Source: Internet
- Although extended gamut displays work wonderfully for their specific purpose with programs that support them, they are generally not great for general purpose use. Keep in mind that photos on the internet are virtually all sRGB, and more importantly, our browsers display them as sRGB. When a program’s sRGB output is displayed on a wider gamut monitor, though, the colors can go wild! They frequently shift and become over-saturated, others may look washed out. To deal with this, most wide gamut monitors have separate profiles for different uses, and you need to switch between them depending on what you’re doing, or, if properly set up, a color managed operating system can sometimes switch for you. (Color management is too complex and beyond the scope of an article like this, but a quick Google search will help) - Source: Internet
- The HP DreamColor LP2480zx is probably the nicest monitor that I’ve ever had the opportunity to use. It is a 10-bit monitor, covering a full 100% of the AdobeRGB color space. The difference between this monitor and the Apple Cinema Display that I’m more familiar with is clear from the first moment that I used it; I could actually see more in photos than I had previously realized was there. This does come at a price, though… about $1850. - Source: Internet
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